Posts Tagged ‘image’

The Gift – a writer’s extra

February 16, 2008

Some good writing blogs I heard about on the children’s writing list today:

The Longstockings. It’s eight writers who discuss areas of interest to writers and readers of children’s and teen literature. They share info about the next two blogs.

The first blog, Pound, is by a 36-year-old children’s book editor in Chicago who also writes about body image, weight issues and the diet culture. She has an entry for beginning children’s writers entitled:

Seven things I would tell you about publishing a children’s book if you bought me a drink and didn’t mind me getting all worked up.

She is irreverent, doesn’t mince her language and very informative.

The second blog is: Editorial Anonymous – A Blog of a Children’s Book Editor. The site description of who Editorial Anonymous is reads as follows:

Editorial Anonymous’ anecdotes are mostly true. Names of authors, illustrators, editors, agents, publishers, manuscripts, and a few random nouns have been changed to protect her ass.

LOTS of good information on the day-to-day workings in publishing.

The Post – Admiral Byrd was NOT Worshipping Me or The Aquarium Light

February 11, 2008

Over the last 2 days my husband noticed that Admiral Byrd has been spending a LOT of time, meaning almost ALL of his time, up on top of the gravel hill or the decorative cave rock, or the live rock, or just about anywhere else in the tank, waving his claw. He looked so funny up on the cave rock. He seemed to be staring up at the aquarium tank light, waving his claw as if paying homage to a god. We figured either he held the aquarium light or my hand in high esteem.

My husband has joked that he thinks the crabs go inside the live rock so much because it’s actually their holy site. He thinks they’ve cobbled together a crude altar made of gravel and on the altar they’ve fashioned a shrimp pellet image of their deity, the hand that feeds them . . . basically mine. As he put it, imagine that every day a hand comes down out of the sky and places steak or shrimp or pancakes in front of us. That’s what it must be like every time my hand drops algae or shrimp pellets near them.

In any event we weren’t sure why Admiral Byrd decided to spend an entire day paying homage to me or the light. Why all of the sudden? There’s been nothing new going on in the tank otherwise, all three crabs have been actually pretty placid, out and about feeding, and generally happy. Was this some sort of designated crab “Holy Day” that just happens to coincide with Lent?

As it turns out, alas, neither the aquarium light nor my hand are the object of Admiral Byrd’s devotions. Melanie Hamilton is.

From the Fiddler Crab page on the Chesapeake Bay Program’s bay restoration site:

“When looking for a mate, he stands near the edge of the burrow, often alongside a string of other males and their (similarly well-maintained) burrows, while the females, returning from foraging, walk past. The male waves his large fiddler claw until he attracts the attention of an interested female, who then stares at him for a short period.. The male resumes his claw-waving, and if the female remains receptive, the male runs toward her, then runs back to his burrow, and repeats this motion several times until she either moves on or follows him to the burrow. ”

Apparently, mating behaviors take place not just when the female forages, but also when she molts. I happened to notice this pale, upside down body lying under the water filter this morning and immediately my heart hurt. I thought “Oh no! Melanie Hamilton died!” But not so. Looking closer, I saw that it was the pale ghost of Melanie Hamilton. It was that eerie translucent white, like Scarlett O’Hara’s was, though much more petite given that Melanie Hamilton is so dainty. Melanie Hamilton sat right behind it. I would have gotten pictures for this blog but she had tucked herself and her tiny ghost so far under the water filter that I could not get a shot. If only I had fiber optic cable, maybe I could get footage! I have concluded that the fiddler crabs have designated the “under the water filter space” as the “molting place.” All 3 have used it now. I think it has enough stretching room to shrug off the old shell, but is sheltered enough to keep everyone else away while their new shell hardens.

Admiral Byrd of course, was well aware of events in the tank. He was standing just a few inches from the water filter hoping to catch her eye. Alas, while Admiral Byrd is a true romantic and his efforts were truly heroic – I mean he has to be exhausted after almost 24-hours straight claw-waving – Melanie Hamilton is having none of it. She has turned her back on him and remains secluded under the water filter.

But anyway, the mystery is solved. Admiral Byrd doesn’t give a darn about the tank light or the hand that feeds him. He apparently can sense the approach of “molting” and was doing the crab Valentine’s Day equivalent of serenading his lady.

Sorry no pictures, though. I told my husband if he ever decides to spend money on expensive jewelry or clothes for me, I would prefer one of those borescopes like they use for colonoscopies. That would work GREAT in the tank for closeups of everybody! 🙂

Coming up this week:

Now that you’ve gotten to know me a bit – a cross between sea life maniac and soulful – I’ll start to introduce some of the projects I’m working on. I’ll share what I’ve done, what I’m doing and where I see myself going. Children’s writer and illustrator, Uri Shulevitz, described three stages of a writer’s development at a conference about 12 years ago. I’ve kept them as a kind of road map in my development and will use them to describe what I’m doing.

Also to come, a Writer’s bio page of what I’ve already written.

Happy Monday!

The Post – As Promised, What Photography Teaches You About Writing

February 6, 2008

As I mentioned earlier, photographing fiddler crabs helped me to “be one with them.” Armed with the heart of a crab, maybe I can get that across in the book.

In a broader sense, there are some similarities between the arts of photography and writing:

1) Narrow the topic:

The viewfinder of a camera sets the limits on how much you can fit in the picture. A photo is a one-moment slice of an event. You can’t show everything, so you have to choose. What will you focus on?

Good writing, especially essays and short pieces, needs limits too. Start with too broad a topic and the piece runs too long, lacks focus and depth, and leaves the reader wondering it’s about. You can’t say everything, so you have to choose what you will say. Choose a specific slant and give the reader depth for that one topic.

2) Composition – Create the Scene:

Part of the art in a good photograph is its composition. What did you include and why? How did you choose to portray it? What angle was it shot from? Lighting? Shadows? Contrast?

In a good story, “show don’t tell” is done with scenes. You’re the director. How will you set it up? Who will be in it and who will be left out? Why? What will they say and do? What are they holding? Wearing? Where are they? Is it frigid or tropical? Are they scared or serene?

3) Detail is the life of the creation:

The camera’s eye doesn’t miss much and often sees more details than the photographer did when taking the shot. The details that show up in the picture bring it alive, especially in things like still life and macro photography. The details ARE the photo.

In writing, specifics are the spice that creates the picture. Something doesn’t smell good, it has a licorice herbal aroma that wafts through the sunlit cottage and makes you salivate with anticipation. Something doesn’t feel rough and hurt you, it has a gritty surface that grinds against the tender flesh of your palm until it strips the skin raw and bloody. Specifics create the image.

4) Deliver the vision:

You can see the image you want in your mind’s eye, but if you can’t work the camera, all you’ll get is a dark blur. Master the technology.

The most amazing story may run through your mind. Yet if what appears on paper lacks organization, moves too slowly, leaves out needed plot points, has poor sentence structure, bloated dialogue, or no sensory details, no one will get it. Master your craft.

5) Know what you want to say:

A photograph may be wordless, but it will still speak to the viewer if the photographer knows what he’s looking for.

In writing, you may have a 500-page novel but you still need to be able to sum it up in a line or two. If you can’t do that, you don’t know what your story is about.

In the future, 10 or so things an oil painting taught me about the writing process. Stay tuned.